Monday, May 10, 2021

Hans Holbein

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v Hans Holbein b.147-154

v Born in Augsburg, Germany. Received his training from his father.

v German painter and designer, one of the greatest portrait painters

v 1514- moved to Basle, he was employed as a designer for printmakers.

v 1514-151- worked with his father designing a home.

v He remained in Basle until 156-during that time he became the leading painter in Basle.

v Earned a major commission decorating the Town Hall with scenes from classical history.

v 15-156- he made is best-known piece in printmaking- a series called the Dance of Death.

v 154- he went to France- gained more knowledge about the Renaissance painting.

v 156- the Reformation left very little work for Holbein- went to England with a letter of introduction to Sir Thomas More.

v 158- Holbein returned to Basle- he worked on the decoration of the Town Hall, but religious and civil conflict left him little subjects to paint

v 15- Holbein returned to England.

v Painted the famous double portrait The French Ambassadors in England.

v After the painting of the French Ambassadors, Holbein was commissioned by Henry VIII. Henry often sent him to paint prospective brides.

v Holbein also began miniature painting while in England.

Second Reading

v Hans Holbein the younger (147-154)

v His father trained him.

v His portraits contained less dramatic subjects, close realism, Italian ideas (monumental composition, bodily structure, and sculpturesque form), exact color, and extreme detail).

v Painted in Basle for Erasmus of Rotterdam.

v Moved to England because of the Reformation- Erasmus of Rotterdale gave Holbein a letter of introduction to Sir Thomas More.

v Painted The French Ambassadors in England- famous double portrait, the only painting signed with his full name.

v The personalities and ideas of the two men are reflected in the objects in the painting.

v Holbein also had subtle allusions to the going ons in the world around him such as the civil conflicts and the Reformation.

v Holbein alluded to death in the painting with the anamorphic skull and the crucifix on one of the two men.

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