Monday, July 19, 2021

Psychology of teaching

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I, , embrace the belief that all children can learn. My goal is to provide all students with an opportunity to increase academic performance and gain knowledge of the subject. Also, I believe it is important to prepare all children for the problems that lie ahead, including prejudice, economic and social problems.


Each student should be capable of expressing his/ her opinion with out disrespecting others.


The curriculum should embrace the context of the New Jersey state standards. Also there should be a reflection of current events as well as past events that prove to be lessons in life. Students will acquire the uniqueness of multiple learning styles while meeting the requirements of the school.


Parents and Guardians should also take part in the students learning process. The community should encourage each student as well. Positive reinforcement from the family and community will aid students in their studies as well as their self-identity. The teachers and community should work together to give the students a guide for self-esteem, reinforcement, and sense of belonging.


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Students should also be aware of the changing and demanding world that lay ahead of them. All changes should be positive and open doors not close them. These challenges include economic and cultural differences. Children no matter w hat social status should have to opportunity to better themselves. Children should be able to celebrate and enjoy cultural differences not loath them.


While is the classroom children should understand classroom rules and obey them. If a teacher asks a student to do something they are expected to perform the task. Children should be aware of their surroundings and be able to maintain a common ground among their classmates. Any discipline action should not be taken lightly.


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Friday, July 16, 2021

The grapes of wrath

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Elisa is frustrated as a woman, and so has taken on masculine qualities, so she is first depicted as a woman whose strengths are really too much for the tasks at hand. She was cutting down the old year's chysanthemum stalks with a pair of short and powerful scissors, the reader learns. She has too much energy for the job. Her face was eager and mature and handsome; even her work with the scissors was over-eager, over-powerful. The chrysanthemum stems seemed too small and easy for her energy. Thus, we get a sense, early on, of Elisa's promise, of her potential. But it is also checked and limited by her circumstances and by her stereotypical role as a woman, and as a farmer's wife.


A tinker comes on the scene. Elisa's first response to his overtures as a salesman is in her masculine guiseshe simply tells him she has no work for him. But he persists, and he finds her soft spot, her chrysanthemums. While it is possible to interpret Elisa's love for the chrysanthemums as her need to mother, (she has no children), it is also possible to see her love for her flowers as an expression of the creative female principle (Renner 07). In the next paragraphs, we witness Elisa's flirtation with this tinker, who is really only interested in making a sale. But he succeeds in gaining access to her emotional side, her feminine side, and lets go of her need to control the situation.


As her creative female side emerges in the presence of the tinker, Elisa's character undergoes a dramatic change. Her love for the natural beauty of the flowersfor her own feminine sidecombines with her natural strength, and a whole woman begins to emerge. Let us track this process as it reveals itself. Her female, receptive side is revealed as she notices the size and sheer physical presence of the tinker, Elisa saw that he was a very big man. Although his hair and beard were greying, he did not look old....He took off his battered hat. With this felt urge to open up, Elisa stands up and shoves the thick scissors in her apron pocket. She shields the symbol of her energy and strength, as if the world weren't ready to see it.


It is not the tinker or his attentions that interest her. Instead, it is the sharing of what she has grown from the bitter, hard earth, her chrysanthemums, a symbol of her potential for wholeness. When the tinker says that he knows someone who would like her flowers (in an attempt to gain her sympathy and get some work), she opens up to him like a flower in the sun, The irritation and resistance melted from Elisa's face. Her eyes grow eager and alert, and Elisa's enthusiasm for the sharing of the flower buds grows with her excitement at the possibility of such expansion.


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The promise comes to a high point as Elisa transfers the symbolic chrysanthemum buds to the tinker. She doesn't know whether he will understand her meaning, but she confides in him that she has planting hands, hands that know what the earth needs and wants. At this moment, she is at her best. She knows that she can be both strong and receptive, that she can be whole


Elisa's voice grew husky. She broke in on him. I've never lived as you do, but I know what you mean. When the night is darkwhy, the stars are sharp-pointed, and there's quiet. Why, you rise up and up! Every pointed star gets driven into your body. It's like that. Hot and sharp andlovely. (Chrysanthemums).


At this moment, Elisa has access to the larger picture, and she knows what it means to


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Wowen in australia during the 20s and 30s

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"A young lady's role is to be a fit wife to her husband. She must give herself completely to him. She must always be presentable and modest, pretty and pure. She has to be able to cook, sew, clean and look after his children. She has to manage on what money he gives her and not complain. She is the height of purity and goodness."


The role of the wife and mother of the 10s and 10s is very different from how it is today. Back then women were only used to serve men. They were used to cook, sew, clean and look after their children. They had no say in society. All they said and thought didn't matter at all. But since time has gone by, things have changed.


Since suffragists, feminists, and the whole Women's Liberation Movement, women have become more equal to men. Both world war one and world war two have changed women's ideas of what they were capable of achieving and doing. The suffragist movement had made women aware of their lack of protection under the law. Many suffragists were shocked when they realised that their husbands had sole rights over the custody of their children. At one stage, if a woman left her husband, all she was allowed to take with her was her marriage certificate and her sewing machine.


What became obvious in the years of the 140s was that women could do what was regarded as 'men's work' as good as the men but those women who were forced to work to provide for themselves had very little protection under the law in the workplace and were given poor conditions and low wages.


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Back in the 10s and 10s women weren't meant to even have jobs. They were meant to stay home, and be housewives, but as time passes, morals change.


Source One Land Many Stories, Pyne, Bowe, Connolly. Longman Publishing, 001.


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Thursday, July 15, 2021

The Patriot

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The Patriot Historical Accuracy


The Patriot is a fictional piece with the timeframe and events of the American Revolution, with a few exceptions. As suggested in the title, there are obvious biases in favour of the United States right from the beginning. Th


1) The brutality of the British regulars is, in the worlds of star Mel Gibson, 'juiced up' for dramatic effect. In one scene, the British regulars murder wounded American POWs; in another, they order the execution of a colonial soldier captured in uniform. In fact, such war crimes by regular troops rarely happened. Spies and traitors, such as Nathan Hale (American) and Major John Andre (British), were hanged, and irregular militias, terrorist bands allied to both sides and Indian proxies certainly carried out some horrific atrocities. But regular troops on both sides almost universally observed the law of war that distinctions should be made between the former categories and uniformed combatants.


In the most bizarre scene, the people an entire town are locked in a church, which is then set on fire. This mimics a notorious Nazi war crime, when 64 peple were massacred in the French village of Oradour sur Glane in June 144, but no such incident took place in the American Revolution. As historian Thomas Fleming puts it 'Of course it never happened. If it had do you think Americans would have forgotten it? It could have kept us out of World War I.'


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) The film gives the impression that the conflict was a straight fight between British troops and colonials only one colonist is shown fighting for the British, and regarded as an oddity by Tavington. However in reality, about a third of the colonists were rebels, a third were loyal to the British Crown and a third were neutral. Thus the Revolution was much more like a civil war, with communities and even families split between 'patriots' and 'loyalists'.


) Similarly, The Patriot tends to exaggerate the degree to which a unified 'American' identity had been forged in the 1770s. For instance, the colonials all sound like modern Americans, wheras in truth there would have been a wide range of European tongues and accents being spoken. Similarly the American flag with the circle of stars would not have been used in battle at that time, but is flown in the film to give greater dramatic impact.


4) The declaraction by George Washington that slaves who fight for the Continental cause will earn their freedom is fictional.


5) The film-makers enlisted the help of the Smithsonian Institute to ensure the movie was free from anachronism in terms of military chronology, weapons used and costumes worn. However, certain changes were made for dramatic reasons. In battle sequences, the colours of uniforms have been altered to make it clearer to the audience which side is which. (According to the Smithsonian's Bobby Moss, often the only way to distinguish between Loyalist and Patriot soldiers was what they wore in their caps the loyalists had pine twigs and the Patriots white paper). Similarly, the soldiers led by Tavington, the Green Dragoons, wore (as their name would suggest) green in real life, but in the film they are given red coats to align them in the audience's mind with the rest of the British army.


Another change that may infuriate purists is the merging of two important 1781 battles Cowpens and Guildford Courthouse into one. However, both battles were similar, in that local militia fought alongside the continental army to help turn the tide against the British in South Carolina.


The cannons used in the final battle scene are lb guns. These werent used in the field - the correct gun should have been the smaller 6lb gun. But, at the end of the day, the director wanted bigger bangs.


It is also worth mentioning that some of the characters are 'based on' real-life American Revolution combatants.


- Tavington is based on the historical figure Lieutenant Colonel Banastre Tarleton, who was renowned for the violence and brutality he inflicted on his enemies. The phrase 'Tarleton's quarter' was coined to refer to his practice of ordering the execution of defeated combatants even after they had put down their weapons and waved the white flag. He continued his reign of terror until Cornwallis surrended at Yorktown in 1781, after which he became MP for Liverpool and lived to the age of 78.


- According to screenwriter Robert Rodat, the character of Benjamin Martin is a composite of several heroes of the American Revolution, including Thomas Sumter, Andrew Pickens, Daniel Morgan, Elijah Clark and Francis Marion. Martin's ghostlike elusiveness is particularly reminiscent of the so-called 'Swamp Fox' Francis Marion, who would attack then 'disappear' into marshland. His effective guerrilla campaign recalls Thomas Sumter, whose harrassment cut off British supplies. And he also represents Daniel Morgan, whose force of light infantry, riflemen, regular troops and militia leads the crucial victory at Cowpens.


- Villeneuve is partially based on the young French fighter the Marquis de Lafayette, who rose through the ranks of the Continental Army to become Washington's protg.


- Colonel Burnel is loosely based on Colonel 'Lighthorse' Harry Lee (although unlike actor Chris Cooper, Lee was just 1 when he fought in the Revolution


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Wednesday, July 14, 2021

Automobile industry in china

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50 Factors Affecting Chinese Automobile Market


According to international convention, when a nations average GDP per head stands at US$ 1,000 - 10,000, it represents a golden age for the nations automobile industry. By 001, Chinas GDP per capita is estimated to exceed US$ 1,000. However, the automobile industry remains bedeviled by sluggish growth. Why?


GDP growth rate affects the automobile market. Every one percent of GDP growth enlarges the automobile market by 1- percent. GDP increase or decrease has a critical influence on the development of the automobile market.


Foreign exchange reserve and export allow China to pay for its petrol, raw materials and components. China has discovered large oilfields in coastal and inland areas. These must cover the increasing demands of the automobile market.


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China boasts 1. million kilometers of road and 14 million vehicles. That means average road per vehicle is 0 meters. However, there are also 00 million bicycles, 0 million motorcycles, 15 million agriculture vehicles, 1 million tractors and 10 million horse-drawn carts. More road construction is imminent. If China completes a highway network radiating in all directions, people will alter their means of transportation.


Recent tax reforms have increased incomes, strengthening the purchasing power of government organizations and work units.


The booming economy will spur enterprise prosperity. Consequently, the number of automobiles will increase. Enterprises do not own many automobiles. The business vehicle market has potential.


With the increasing living conditions of the Chinese people, their demands to lease automobiles will also increase. Leasing accounts will keep developing.


Along with the expanding national economy, more raw materials and parts will be made in China, reducing costs and sales prices of the automobile.


The development of the individual economy will bring out more individual automobile purchases.


The central areas of China, including Hubei, Chongqing, Henan, Shanxi, are the largest automobile markets.


Highly - developed small cities have less traffic jams. The rate of automobile per capita will be higher there than in the clogged big cities. Automobile makers are watching this.


According to the economic convention, GDP per capita has a functional relationship with the number of automobiles owned per thousand people, and directly affects the scale of the market. Compared to other nations of the same GDP per capita as China, China¡¯s number of automobiles owned per thousand peoples is lower. China has the potential. However, automobile policies tend to restrict that potential.


Automobile Management Regulations will be enacted in 001, which standardized auto production, sales, purchase and scarp. The cancellation of compulsory scrapping regulations will have a positive effect on the family automobile market.


Fuel tax will be replaced by road tolls. Taxis, public and business vehicle owners will pay one to four times more through the toll system, restraining market growth. But family automobiles will enjoy a comparative advantage. There will thus be more individual automobile purchases.


A new automobile distribution system for government officials will stimulate sales of luxury automobiles like Shanghai Buick and Red Flag. It will reduce the number of economy, reduced-exhaust automobiles.


Accession to WTO will urge domestic automobile makers to improve management, enhance quality and productivity, speed up technical progress, and make the best use of domestically resources.


China has stardet car credit. But as no property certificate goes with an automobile, the loans do not work well. Second, as with the whole society, banks don¡¯t have an effective credit evaluation system for their customers, resulting in a complicated procedure fore purchasing automobiles. Third, Chinese people haven¡¯t got used to the idea of indebtedness. Customer credit can¡¯t produce instant results. Nevertheless, as all these glitches are addressed, more people will try to pay for automobiles by installment.


The neglect of public transport will encourage people to purchase other vehicles.


Road and bridge tolls hurt the automobile market. With Road Amendment Regulations pending, future reforms of road or bridge construction will promote the market.


Business automobile market reforms including regulation of chauffeurs, requiring vehicles be fixed in designation repair shops and restricted petrol allowances will slow growth. The cancellation of certain automobile allowances for cadres will not stimulate the individual automobile market.


Local protection policies will break up the automobile market, and tend to protect backwardness. Contradictions among the local governments and among the enterprises will become strained. Local protectionism is lately intensifying.


The construction of new roads and reconstruction of satellite cities will greatly influence purchasing by urban residents, taxi drivers, government and enterprises.


Cracking down on the smuggling of automobiles and illegally assembled automobiles will guarantee the lion¡¯s share of the Chinese automobile market to the domestic automobile industry.


Stopping random fees on automobile purchase and use will dispel consumer concerns about the unlimited expenditures related to automobile ownership.


Increasing numbers of laid ¨C off and unemployed and an unsound labor insurance system make people¡¯s sense of security decline. People would rather save their money. Consumption and demand develop slowly in China.


Control of the automobile market results from two factors city governments cannot improve road construction, but must also guarantee the speed off their officials automobiles.


Regulation of automobile exhausts increases the price of automobiles.


Although the price of the domestic automobile is cheaper, technology lags behind foreign automobiles, especially safety.


In bid cities like Beijing, Shanghai and Guangzhou, the number of taxis is reaching saturation point, while small cities, especially in West China, are still hungry. As average income is not very high, the taxi market is mainly dominated by low-grade cars. However, with the improving standards of living, the grade of taxi will also improve.


In the purchasing priorities of most Chinese people, a car comes behind a house. The cost of a house is so exorbitant, most families cannot afford it. Thus, their car purchases are also postponed.


The improvement of secondary car policy will change people¡¯s ideas. Low-income groups may consider buying a second-hand car, and rich people can enjoy limousines if they want.


The local traffic situation plays an important role in the development of the local automobile market. The limits on expressway use of small cars will effect sales of some types of car.


The construction of parking lots cannot be ignored. Sparse parking lots and high charges definitely squeeze the local automobile market.


The amazing high tax on imported cars still exists, which stops the healthy growth of China¡¯s automobile market.


Defying the international regulations, all the imported vehicles in China are charged 10 percent of its price as taxation, and there is no preferential policy for business cars. However, the bulk of the money goes toward traffic management rather than road construction. If charges for traffic management and other extra fees continue unchecked, the development of the automobile industry and transportation will not gain momentum.


If the RMB devalues, the price of import cars will increase. That assists domestic automobiles in occupying the native market, as well as boosting exports.


People still await a coherent and transparent automobile taxation system.


Japan develops its automobile industry by constantly renewing its mini-car market. As a developing country, China is bothered by the overloaded population and poor road conditions. The enlargement of the mini-car market will stimulate the whole automobile market, even the national economy.


State and local governments are still fare from realizing the automobile market boom will bring more opportunities. In developed countries, one seventh of the population earns their living in the automobile sector.


Competition among local automobile manufactures drives down prices. This drives the market, but not decisively.


The quality of local cars improves.


Technology should be improved, but not all technology fits national conditions.


Local manufactures should foster self-help, designing products with parts they can produce by themselve and localizing products from the very beginning.


Production should relate to customer orders. Delivery should never be delayed.


Self-policy and strategy need to be thought out by manufactures.


Advertising plays an important role in improving corporate image. Branding is the key to boosting sales.


Chinese people have the habit of hiding their wealth. In developing countries, owning a car is the ultimate status symbol. Most private cars belong to the rich. Buying a car is an announcement of affluence. Rich people themselves are waiting for the car to become as popular as TV or refrigerator.


Owning a car is especially popular among young men in their 0s and 0s. In a few years, these people will grasp any chance.


Mini and economy cars will one day dominate the automobile market.


Government regulations and competition among taxi drive down fares. Some people prefer a taxi ride to driving their own car.


Chinese people are accustomed to spending time to save money, instead of spending money to save time. As the economy develops, the rhythm of life will speed up. The car will finally replace the bicycle.


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Changes in Ovid's "Metamorpheses"

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Ovid's Metamorpheses is composed of a variety of tales in which the characters undergo diverse changes, both emotionally and physically. In book one, Daphne suddenly wants nothing to do with Apollo as he chases her out of love, and she then turns into an oak tree. Jove is transformed into a mighty bull in book two, and Europa becomes fearless.


"...Apollo...at once...loved And she (Daphne) at once fled from the name of the lover..." (Ovid 17 47-474). This quote depicts Cupid shooting Apollo with a sharp arrow, causing him to fall madly in love with Daphne, as she is hit with a dull arrow which makes her want to flee from him. Their feelings change by the strike of an arrow, an obvious emotional alteration that they undergo in the story. When the chase ends after Daphne pleas to her father river to be saved, "...her hair was leaves, Her arms were branches, and her speedy feet Rooted..." (Ovid 1-1 550-55). After this material transformation, Apollo remains in love with the tree that he claims as his own.


"...the great father...took upon himself the form of a bull..." (Ovid 55 46-51). Followed by this dramatic alteration of Jove, the king's daughter "...Loses all fear...and she grows bolder." (Ovid 55 867-868). Europa, the daughter, touches the muscular bull and then rides off with him, as a new person since becoming more courageous.


The apparent changes taking place in each story are physical as seen when Daphne is left standing as a tree and Jove rides off in the form of a bull. The characters also undergo alterations in their feelings, as Apollo becomes love crazed, Daphne feels scared of Apollo, and Europa loses all fear. These examples reflect Ovid's style in writing this particular story where he has several characters undergo constant modifications.


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Tuesday, July 13, 2021

Glass Menagerie Paper

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Often times when people have a hard time dealing with reality they resort into a sense of illusion, such as day dreaming. This is seen when evaluating the dominant theme in The Glass Menagerie-the difficulty people have in accepting and relating to reality. As a result of their inability to overcome this difficulty, every major character in Tennessee Williams' play "The Glass Menagerie" withdraw into a private world of illusion and fantasy to find the comfort they can't find in real life.


Out of the major characters in the play Laura is probably the one most detached from reality. There are several symbols in the play that represent this fact. First of all Laura has a glass collection that she carefully takes care of, and in a sense plays with. Given her age, this act is very odd, and not acceptable. Her glass menagerie is an example of the imaginary world she lives in to escape her real life where she has many problems. Laura's real problems include being cripple, not finishing high school, dropping out of her typing class and not telling her mother, and lastly disappointing her mother by not having any "gentlemen callers". Another strong symbol of Laura's obsession with fantasy is the nickname that Jim gave her in high school, "Blue Roses". Blue roses do not exist in nature, and are therefore an illusion. Laura's obsession with this nickname again shows her distance from reality. Everytime Laura tries to step out of her imaginary world and into the real world something trips her up. For example, when Amanda sends Laura to the store and she trips while going down the fire escape that symbolizes a way for the inside world to get into Laura's imaginary life. Lastly, Laura's favorite figurine in her glass menagerie is that of a unicorn, an animal that does not really exist except for in fantasies. Additionally, Laura sees herself as a type of unicorn, something different from the majority. When Jim and Laura dance they knock over the unicorn, causing the horn to break off symbolizing that when Laura gets closer to reality she breaks. After Jim tells her he is engaged, she is no longer getting nearer to reality, but rather is broken hearted and gives him the broken unicorn, symbolic of how he has broken her heart. Laura is fragile, and is safer in her world of fantasy. Tom is similar and at the same time similar to Laura.


At the beginning of the play the reader is given the impression that Tom is the only one in the Wingfield family who is capable of functioning in the real world. Tom interacts with strangers, and has a job out in the real world in order to finance his mother, sister, and himself. However, Tom also withdraws into his illusions to escape from the never-ending arguments and disagreements he has with his mother. Also, Tom is frustrated about his boring and, what he considers, meaningless life. During the play, Tom often times says he spends his late night at the movies. His obsession with movies represents his attempt to escape reality and disappear into a fantasy world. Additionally, Tom's attempt to dodge reality and escape into a illusion is seen when Tom hides out on the fire escape. Tom sees the fire escape as a way out. While Laura overall is content with her imaginary life, Tom isn't and wants out. Tom always makes jokes about his dad, and how he fell in love with long distances. This is his attempt to ease the pain of abandonment by turning it into something humorous. It is clear that what Tom resents most about his father is


exactly what Tom himself will carry out in the end, an escape from the Wingfield's demented world of illusion. Through his father, Tom has seen that an escape is possible, and though he is hesitant to leave his sister and even his mother behind, he is being driven to go through with it.


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Mr. Wingfield, the father of Tom and Laura, and Amanda's husband, is referred to often throughout the story. He is the ultimate symbol of escape from the fantasy world of the Wingfield household, and an illusion of freedom. This is because he has managed to remove himself from the desperate situation that the rest of his family is still living in. His picture still hangs on the wall as a constant reminder of better times and days gone by. Amanda always makes rude remarks about her missing husband, yet lets his picture remain, showing she is stuck in the past. The portrait of Mr. Wingfield still hanging in the house is an example of Amanda, being stuck in the past, and living in a world of illusion. Additionally, Amanda asks Laura everyday how many gentlemen callers she will be expecting that evening, even though she should know that Laura never is expecting any. This repetitive act is another example of Amanda's world of illusion. Furthermore, even after Tom tells her that his co-worker Jim is not coming over to call on Laura, but rather just eat dinner with the Wingfield's Amanda insists that Jim is Laura's first gentlemen caller.


Though each character has their own form of illusions and a fantasy world they all escape due to their inability to deal with the problems that they are confronted with in their real life. Tom, unlike Amanda and Laura, was discontented with his situation and escaped, leaving Amanda and Laura behind in their fantasy world.


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